This happened last week – I stopped using the therapy light over the long Thanksgiving weekend, and by Monday I was having an almost physical reaction, I was tense, shaky, angry and nervous, and it was like my brain was LOOKING for things to be anxious about. I had caught myself thinking, the week before, that it didn’t feel like the light was making that big of a difference, because I didn’t feel any happier than I normally do. But once I went off it – oh, right. There’s that crippling self-doubt and self-deprecation that usually hits me this time of year.

So if anyone’s curious, the light TOTALLY WORKS, and I will not be forgetting to use it again anytime soon.

So! I promised you guys some process shots. I gotta warn you, this will be really, really unimpressive. I usually work really loose on Sauceome comics, much more loosely than I do on other comics. Here are my bluelines:

Pretty damn loose, as you can see. I usually lay out the strip in blue pencil, and then ink over it:

Again, pretty loose. Then I scan it, and blow out the contrast in Photoshop, usually with a mix of curves and Brightness/Contrast. Sometimes I’ll run a low median filter to smooth out the lines, or dodge and burn over the lines to get rid of any smudges that are still left. Then I set it as the lowest layer, and do my coloring on a layer on top of that, set to multiply. And if I feel like it, I’ll run a little color halftone over the backgrounds, like I did here. Hm. That’s actually a pretty long process, and I don’t have pictures of it. Maybe for the next comic I’ll take some screengrabs of how I color the page.

Oh, and here are some of my favorite tools:

From top to bottom, that’s a pretty standard white-out pen, my very favoritest Kuretake brush pen, two Faber Castell Pitt pens, and a mechanical pencil with blue lead.